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Ok, here\u2019s some advice for writers that I picked up at Capital Crime 2019: don\u2019t read while you\u2019re writing; read while you\u2019re writing; plan, especially for crime fiction; don\u2019t plan, especially for crime fiction; write for 15 hours a day; write for three hours a day; get it right first time; write 25 drafts; writing is a hellish job; writing is the best job.<\/p>\n
Alongside the readers and published writers at Capital Crime, there were a good few unpublished writers and newly published writers eager to learn from the more experienced authors on the panels. All were generous with their advice and insights into the writing life. However, although some patterns emerged, there were a good number of inconsistencies.<\/p>\n
Anthony Horowitz told us that he never reads other people\u2019s books when he\u2019s writing. It\u2019s not that he is afraid of plagiarism \u2013 ideas are free for all \u2013 but that if he sees a good idea in someone else\u2019s story it will annoy him. Maybe he will see something that is perfect for his story that he might have come up with, but once he\u2019s read it in someone else\u2019s story he won\u2019t feel able to use it.<\/p>\n
Ann Cleeves said that she always reads, even when she\u2019s writing.<\/p>\n
Both Adam Hamdy and Anthony Horowitz said that they put in long writing days \u2013 up to 15 hours. Kate Atkinson, on the other hand, said that it was all about focus and that she could get as much done in three good hours as she could in much longer, less focussed hours of writing. She also isn\u2019t one for sitting around thinking, saying that the story comes to her when she has her fingers on the keyboard. However she did say that you shouldn\u2019t start a book until you\u2019re absolutely ready. She was thinking about the spy story in \u2018Transcription\u2019 for three years before she started to write it.<\/p>\n
I saw a tweet from Elly Griffiths recently saying that she wrote one draft before sending it off for structural edits. Denise Mina said that she writes multiple drafts – up to 25.<\/p>\n
You usually hear how important it is to plan a crime novel. Ann Cleeves told us that she finds out what happened at the same time as the detective and that she writes like a reader. Denise Mina agreed, adding that she\u2019ll find herself three quarters of the way through a novel and completely lost. Where would the fun be, she asked, if I knew how it would end? (Might this be why she does so many drafts after the first?)<\/p>\n
There was agreement about location. You need to know the location for your story well. Ann Cleves said, \u2018it\u2019s the small details that bring a place to life\u2019. She said that she liked to get under the skin of places people think they know. Kate Atkinson said that she likes writing about places she knows well, so that she doesn\u2019t have to do a lot of research.<\/p>\n
Publisher Vicki Mellor and agent David Headley explained the importance of getting good feedback from people you trust. Then, in the bar, a writer I shall keep anonymous told me very firmly that it was important to ignore all advice and follow your own instincts. I suspect the answer lies somewhere between the two \u2013 listen and then decide for yourself. Someone \u2013 I can\u2019t remember who \u2013 told me that if someone gives you editorial feedback, you should believe them if they tell you that something isn\u2019t working, but not if they tell you how to fix it.<\/p>\n
Although I heard it said that writing could be hell and that it\u2019s very tough to make a career as a published author, especially in today\u2019s market, there was a clear consensus that the writing life is a joy. \u2018For people who love to write, it\u2019s the best life in the world,\u2019 Adam Hamdy said. For Denise Mina the joy was centred around \u2018sitting at your desk making up lies\u2019, but included the added bonuses of not having to commute, or get dressed to go to work.<\/p>\n
Neither Denise Mina nor Ann Cleeves were immediate commercial successes and, realistically, some of us never will be. This means that the writing itself has to be the primary source of enjoyment and satisfaction. You don\u2019t have to be making millions to have this. You do have to write. As Don Winslow said, \u2018writers write; it\u2019s a verb before it\u2019s a noun\u2019.<\/p>\n
Adam Hamdy suggested thinking hard about what you wanted from your writing \u2013 a published book or a writing career. The first is easily achieved through self publishing; the second is much, much harder and you need to be prepared to work at it like a business, because publishing is a business, a very demanding one. There are long waits and strict deadlines (covers for novels are briefed 13 months in advance of publication), it is highly competitive (more and more people are writing and David Headley alone receives 400 manuscripts a month), you are constantly exposed to criticism and maintaining profile is almost like having another job.<\/p>\n
So, whatever you want from your writing, do the writing, do the best work you can and enjoy it.<\/p>\n","protected":false},"excerpt":{"rendered":"
Ok, here\u2019s some advice for writers that I picked up at Capital Crime 2019: don\u2019t read while you\u2019re writing; read while you\u2019re writing; plan, especially for crime fiction; don\u2019t plan, especially for crime fiction; write for 15 hours a day; write for […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":""},"categories":[96],"tags":[84,87,86,80,50,52],"_links":{"self":[{"href":"https:\/\/www.lynnfraser.com\/wp\/index.php?rest_route=\/wp\/v2\/posts\/540"}],"collection":[{"href":"https:\/\/www.lynnfraser.com\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lynnfraser.com\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lynnfraser.com\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lynnfraser.com\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=540"}],"version-history":[{"count":3,"href":"https:\/\/www.lynnfraser.com\/wp\/index.php?rest_route=\/wp\/v2\/posts\/540\/revisions"}],"predecessor-version":[{"id":606,"href":"https:\/\/www.lynnfraser.com\/wp\/index.php?rest_route=\/wp\/v2\/posts\/540\/revisions\/606"}],"wp:attachment":[{"href":"https:\/\/www.lynnfraser.com\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=540"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lynnfraser.com\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=540"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lynnfraser.com\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=540"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}